It has been a long while since the public caught a glimpse of Daniel Day-Lewis. After he statement in 2017 declaring he would no longer pursue acting, just before the debut of The Phantom Thread, Day-Lewis quietly faded from view. However, in his absence, his reputation expanded further.
Primarily, this legend revolves around his favored style of working. As someone known for immerses himself in the roles he plays – for example, while filming Lincoln, reportedly asked Steven Spielberg call him “Mr President” for the entire production – the world has become more fascinated with how he works. Did he actually sent messages to co-star Sally Field as Abraham Lincoln? Was it accurate that he only eat animals he’d killed for Last of the Mohicans? Did he demand being spoon-fed while filming My Left Foot?
Extreme acting methods: has the public fallen out of love with actorly excess?
Now, Day-Lewis has returned in the limelight, somewhat reluctantly, for his new film Anemone. He is using this to vocalise his frustration at how method acting is viewed. “I’m a little cross nowadays to hear various individuals gobbling off and saying things like ‘gone full method’, which seems is meant to imply that a person’s behaving like a lunatic in an extreme fashion,” he told a major publication. “Everyone often concentrate on superficial aspects of acting, and these elements typically include some sort of self-punishment or a situation that imposes upon oneself extreme unease or psychological strain. But of course, in the life for a performer, it has to mainly focus on the internal work.”
Frankly, it appears like Day-Lewis has emerged from seclusion and found himself shocked by the acting community that has developed in his image. If you’re regarded as one of the greatest actors in history, and your approach involves striking a prop to the point of injury (for Gangs of New York) or enduring 48 hours in isolation deprived of sustenance (during In the Name of the Father), then it stands to reason that fellow performers will want to fill that vacuum by trying to mimic your hero.
In other words, we exist in an environment full of imperfect imitators of Day-Lewis who strive only to demonstrate the sheer amount of effort they put into their roles. On the milder side of this trend there are performers such as Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she spent the whole campaign attempting to persuade people that she transformed into an Italian native over 18 months as preparation.
Additionally, there is Jared Leto, who chose to immerse himself into the role as the Joker (in Suicide Squad) through sending “disturbing” gifts to his castmates. These, depending on who you ask, range from dead pigs and rats to anal beads and used condoms, though the actor refuted the most extreme claims. Then, naturally, we have Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that they literally managed in creating a full-length documentary out of B-roll of him making life to the utmost for everyone around him.
The main Method Guy currently would appear to be Jeremy Strong (once an assistant to Day-Lewis), whose approach while filming Succession was so laboriously intensive that it formed the basis of a critical New Yorker profile, including statements from individuals who were worried for his behaviour (“The toll on himself that worries me,” remarked Brian Cox) or extremely irritated by his actions (“I remember [him] making everyone else roll their eyes,” said an unnamed co-star).
The actor says he ‘did not plan to retire, truly’
There are numerous additional cases. Andrew Garfield abstained from sex over half a year while preparing for Silence. Leonardo DiCaprio rested inside an animal carcass during The Revenant. It’s quite possible that actor Austin Butler continues to talk like Elvis Presley, years following the movie’s release. Each of these instances, to some extent, is meant to invoke the dedication with which Day-Lewis approaches his work.
Moreover, while his fightback against method detractors might be noble, a brief promotional cycle might not be enough to change anyone’s mind, let alone their practices. Maybe if he wants to make audiences recall what method acting is, or to show them what it can achieve, then the optimal strategy for Day-Lewis is to just begin producing more films. Certainly everyone would get behind that.
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